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  • Happy 87th birthday, Michael Learned!

    Happy 87th birthday, Michael Learned!

    An iconic actress who starred on The Waltons and earned four Emmy Awards during the height of her career is celebrating her 87th birthdayMichael Learned, who played Olivia Walton on The Waltons, was born on April 9, 1939.

    The Waltons aired from 1972 to 1981, and Learned starred on the show through eight of its nine seasons. In September 2025, Learned talked with Steve Kmetko on his Still Here Hollywood podcast about her decision to leave when she did.

    Related: 50 Years Ago This Week, ‘The Waltons’ Aired a Landmark Episode

    Learned said she never regretted her decision to leave The Waltons. “They didn’t know what to do with me…as an actor, it was just boring,” she admitted.

    She recalled that as she bid farewell to the series, “I wept because we were such a family, even the crew, we were all really close and like a family.” However, Learned added, “But on the other hand, I got tired of [the show].”

    Learned may have grown bored by the lack of storyline for her character on The Waltons, but she did earn three Emmy Awards for her work. She won the best or outstanding actress in a drama category in 1973, 1974, and 1976.

    Learned had been acting for a decade before landing The Waltons. Despite all of her previous experience, playing Olivia Walton was the role that catapulted her to stardom.

    In 1981, Learned debuted as Mary Benjamin on the series Nurse. She won an Emmy in 1982 for that role, too.

    After Nurse ended, Learned continued to act. She appeared in dozens of primetime series, and Learned took on some soap opera work over the years, as well. Some may remember that in 2011, Learned took on the role of Katherine Chancellor on The Young and the Restless for 11 episodes.

    Despite leaving before The Waltons before the end of its run, Learned did reconnect with the cast for some subsequent Waltonsmovies. The last acting role Learned took on was to play Catherine Dahmer, the grandmother of serial killer Jeffrey Dahmer, in five episodes of the 2022 series Monster.

    When Learned was asked about her legacy during the Kmetko podcast, she replied, “I don’t care. I don’t need to have a legacy. I just want my kids to speak kindly of me, and they do.”

    This story was originally published by Parade on Apr 9, 2026, where it first appeared in the News section. Add Parade as a Preferred Source by clicking here.

  • Richard Thomas is delighted that The Waltons is being remade after 50 years.

    Richard Thomas is delighted that The Waltons is being remade after 50 years.

    When Richard Thomas found out that The Waltons: A Christmas Story was being remade 50 years after he starred in the TV movie, he felt protective of the film that launched his career.

    “You have a sense of ownership, so when they call you and say, ‘Well, we’re doing a new one. It’s all new people,’ your first reaction is, ‘Oh, no. Time to pass it on. Too bad,’” Thomas, 70, tells PEOPLE in this week’s issue. “And then you realize, be proud and happy that it’s considered a classic. I think it’s wonderful that somebody else is going to have a chance to make that part their own.”

    Thomas starred as John Boy in the 1971 original about a rural Virginia family, which later inspired the Waltons TV series that aired on CBS for nine seasons from 1972-81. Now, he’ll serve as the narrator of the remake, The Waltons’ Homecoming, which premieres Sunday on The CW.

    For more from Richard Thomas, pick up the latest issue of PEOPLE, on newsstands now.

    Tom Griscom/The CW

    On the beloved show, Thomas played one of seven children. In real life, Thomas is himself a father of seven. He shares son Richard and triplet daughters Barbara, Gwyneth and Pilar with ex-wife Alma Gonzales, and has a son, Montana, with wife Georgiana Bischoff, who has two daughters, Brooke and Kendra, from previous marriages.

    “It wasn’t planned,” he says of the similarities. “I guess seven is my number.”

    As the Emmy winner looks ahead, he says retirement isn’t in his near future. “One of the beautiful things about acting is if you’re lucky enough to be able to keep working your whole life, there are roles that will sustain you from childhood right up until ancient supporting character man,” he says.

    “Especially in the theater, there are great roles in all those categories,” he continues. “So as I keep chugging along, there’s always just one more thing to do, and I love it so much. When your work is also your pleasure, it’s hard to think about retiring.”

  • MICHAEL LEARNED TELLS THE TRUTH ABOUT HER CO-STAR RALPH WAITE.

    MICHAEL LEARNED TELLS THE TRUTH ABOUT HER CO-STAR RALPH WAITE.

    “WE NEVER SLEPT TOGETHER BUT,” AT 86, MICHAEL LEARNED TELLS THE TRUTH ABOUT HER CO-STAR RALPH WAITE.

    Michael learned even the name carries the weight of a television legacy. A woman who became Olivia Walton, the steady heart of a family millions invited into their living rooms from 1972 to 1981. Born on April 9, 1939 in Washington DC. Michael’s life was one of quiet dedication to her craft,  a dedication that brought her face to face with one of the most grounding forces of her career, Ralph Wait.

    Born June 22, 1928  in White Plains, New York, Ralph was the man who played John Walton, the father she depended on to create a world that felt real, tender, and unbreakable. But their connection, what they shared on and off camera,  was never simply about acting. It wasn’t romantic in the way the world might assume.

    It was something deeper, something threaded through decades of unspoken understanding, loyalty, and emotional honesty. A bond forged in shared vulnerability, late nights on set, whispered support,  and an intimacy only true trust can create. Now at 86, Michael Learned is finally speaking, and the story she tells is not what anyone  expected.

    Michael Learned arrived on the set of The Waltons in 1972 carrying a quiet determination. She was stepping into the role of Olivia Walton, the matriarch of a sprawling Virginia family during the Great Depression, a role that demanded both strength and vulnerability  in equal measure. Across the set, Ralph Wait was preparing to embody John Walton Senior, the father whose presence would anchor the family in wisdom, patience, and a steady moral compass.

    Both actors came with theater experience, years of stage discipline that had taught them precision, patience, and the subtlety of emotion. But the television world was a new arena, one where the pace was relentless and the cameras never blinked. From the very first days of  filming, Michael recalls a sense of immediate trust when she met Ralph.

    It wasn’t spoken in grand declarations. It was quiet, unassuming, rooted in mutual professionalism and respect. On the long, grueling shoots, that trust became a lifeline. Michael has reflected that Ralph’s presence gave her a stability she hadn’t anticipated, a feeling that she could lean on someone fully without fear of judgment or misunderstanding.

    He wasn’t just a co-star. He became an emotional anchor, the one constant in a whirlwind of scripts takes,  and the heavy responsibility of portraying a family that audiences would come to love as if it were their own. Backstage, their interactions were small but significant.

    A shared smile after a long day, a word of encouragement when a scene grew too heavy, a private conversation about capturing the subtle realities of family life. They spoke not as performers merely acting outlines, but as two people invested in authenticity. In truth, in interviews years later, Michael has described the way Ralph seemed  to understand almost intuitively the emotional weight of the scenes and how he offered her a quiet reassurance that steed her performance and her spirit.

    Their bond was not instantaneous in the flashy sense of a cinematic connection. It was incremental, built moment by moment, day by day. Loyalty emerged naturally,  grounded in the shared challenge of creating a world that felt alive. The long hours demanded resilience, and they found themselves relying on each other in ways neither had fully anticipated.

    They laughed together at mistakes, consoled each other in moments of fatigue, and developed  a rhythm of trust that made the weight of expectation bearable. Even in these early stages, the depth of their connection hinted at something beyond professional respect. There was an unspoken promise in  the way they supported one another, a tacit acknowledgment that each could depend on the other through the private  and public pressures of their craft.

    It was a rare kind of intimacy formed not through overt gestures, but through consistency, understanding,  and the willingness to be emotionally present amid the demands of performance. By the end of that first year on set, the foundation was solid. What began as mutual respect and admiration had evolved into a quietly profound companionship, one rooted in loyalty, trust, and emotional transparency.

    The love story of Michael Learned and Ralph Wait did not rely on romance. It thrived on the subtle enduring power of two human beings recognizing in each other a sanctuary of support, a shared commitment to truth, and a bond that would shape  their lives on and off the screen for years to come. The world came to know Michael Learned as Olivia Walton and Ralph Wait as John Walton.

    But behind the cameras, the story of their connection was far more nuanced, far more human. The Waltons aired on CBS from 1972 to 1981, chronicling a family in rural Virginia during the hardships of the Great Depression and the upheaval of World War II. The series demanded authenticity, not just in lines delivered, but in the weight carried between characters, the unspoken currents of love, loss, and resilience threaded through every scene.

    Both Michael and Ralph appeared in all nine seasons, though Michael took a brief leave in the mid 1970s. Through it all, their bond grew quietly, steadily beneath the surface of public attention. Ralph Wait’s presence on set was a grounding force. Before acting, he had been a marine and studied both theology and social work.

    Experiences that shaped a man capable of extraordinary patience, deep empathy, and a care that extended beyond performance, long shooting days, emotionally  heavy scripts, and the intensity of portraying a family navigating real struggles required more than skill. They demanded emotional endurance. It was here that Michael learned found a partner not only in performance but in human understanding.

    She has described him as a steady presence, someone she could confide in without hesitation, someone whose reassurance carried through the most challenging scenes. Behind the scenes, their days were a blend of exhaustion and shared resolve. There were early mornings and late nights, scripts that tore at the heart and moments when the weight of emotion threatened to overwhelm.

    In those instances, Michael and Ralph leaned on each other, sometimes with a glance across the set, sometimes with a few words whispered away from the cameras. Their support was practical and emotional, helping each other remember lines, offering encouragement, sharing the silent understanding of what it meant to carry a family’s story with sincerity and care.

    Through the years, the intimacy of their connection deepened not in dramatic gestures, but in consistent presence. fatigue, personal struggles, and the public scrutiny that came with fame could have isolated them. Yet, they discovered a quiet sanctuary in one another. There were small moments, a hand on a shoulder after a long take, a quiet  laugh at an unexpected mistake, a private conversation about the moral weight of a scene that strengthened a bond the audience could never see, but could feel through the authenticity of their

    performances. The story of Michael Learned and Ralph Wait unfolded subtly, almost imperceptibly in the spaces  between lines and cues. It was a story defined not by romance, but by loyalty, trust, and understanding. Their emotional intimacy allowed them to navigate the challenges  of portraying a family under duress while maintaining their own sense of humanity amidst fame’s relentless  gaze.

    By the end of the decadel long run, what had started as professional respect had matured into a profound companionship, one rooted in the quiet certainty that each could rely on the other no matter the pressures offscreen or the demands on it. In the tapestry of the Waltons, their connection became invisible yet indispensable, shaping performances, supporting emotional truth, and building a foundation of care that would endure long after the cameras  stopped rolling.

    It was here, amid the rigors of television, the demands of storytelling, and the quiet pressures of life in the spotlight, that their bond solidified a deeply human love, resilient, enduring, and quietly remarkable. Outside  the frame of the Waltons, Ralph Wait lived a life defined by quiet devotion and deep responsibility.

    a father, a husband, and a man committed to social  causes, including anti-poverty work. He carried the weight of realworld concerns alongside the demands of acting. His personal life was private, often shielded  from the spotlight that followed him and his castmates. Yet, it was this very groundedness that made him an anchor for Michael Learned.

    On set, he  was John Walton. offset. He was a steady presence, a man whose consistency and emotional generosity became a  refuge for those around him. Michael learned, meanwhile, navigated a world of public scrutiny and private uncertainty. She faced marital struggles, the pressures of fame, and the emotional vulnerability required by her role as Olivia Walton.

    The weight of embodying a matriarch, both in performance and in expectation, sometimes became overwhelming.  And it was in these moments that Ralph’s presence mattered most. Their connection forged over years of shared work and mutual  respect extended beyond performance. He provided support in ways that no script could capture.

    a quiet word of encouragement, an attentive ear when she needed to speak, a subtle gesture of reassurance during emotionally taxing scenes. These were the moments the public never saw. No headlines chronicled the small acts of kindness exchanged between them, the mentorship Ralph offered, guiding her through the emotional demands of her character, the private conversations in which they navigated not only the family on screen, but their own humanity off it.

    Michael has spoken in interviews about her admiration for Ralph’s  unwavering reliability, noting how he gave without expectation, how his generosity was both practical and emotional, shaping the way she approached her craft and life itself. Work and personal life often collided. Long days of filming intersected with private concerns,  family matters, emotional fatigue, the constant negotiation between personal and professional worlds.

    In these intersections, Michael and Ralph relied on one another in ways that were both profound and understated. He was there when the demands of performance left her  drained, offering quiet counsel and stability. She reciprocated with trust and openness, sharing insights and fears that could not be aired publicly, forging in intimacy grounded in authenticity and mutual understanding.

    Their story was not scripted. It was lived. It was a love defined by emotional intimacy, unwavering loyalty, and the kind of deep human connection that survives pressures both oncreen and off. It existed in shared resilience, in the small gestures that reinforced trust, in the unspoken knowledge that each could rely on the other when the world became heavy.

    Through personal trials and professional demands, their companionship endured, becoming a defining element of both their lives. By the time the series reached its later seasons, their bond was no longer just professional or convenient. It was essential. It was a  quiet, resilient partnership built on years of care, guidance, and  presence.

    It was a love that did not need to be celebrated publicly to exist fully. a testament to the power of emotional fidelity and the extraordinary strength of human connection. For Michael learned and Ralph Wait,  that love carried them through the pressures of fame, the solitude of private struggles, and the unrelenting demands of their craft, shaping a story that audiences could feel in every scene, even if they never fully understood it.

    For decades,  Michael Learned carried her truth quietly. She protected it with the same care she once brought to the role of Olivia Walton, holding her memories close because they were not meant for tabloids or quick headlines. They belong to her, to Ralph,  and to the years they shared both on and off the screen.

    But time has a way of loosening the grip on old silences.  And at 86, Michael finally began to speak openly, not to sensationalize, not to rewrite history, but to honor the man who had shaped her life in ways no audience ever fully  saw. Ralph Wait passed away in 2014, leaving behind a legacy of compassion, strength, and an undeniable moral presence on and off camera.

    His death closed a chapter for many, but for Michael, it reopened a lifetime of reflection. She found herself looking back on the years they worked side by side, the emotional battles they weathered, and the quiet closeness that had grown between them with every scene, every shared hardship, every moment of trust.

    The grief she felt was not simply for a co-star. It was for a companion whose presence had woven itself into the very fabric of her life. When she finally spoke publicly about Ralph, her words were careful but full of truth. She made it clear that what they shared was not a romance in the traditional sense, not a love story built on candle lit dinners or whispered confessions.

    It was something deeper, something anchored in loyalty, emotional openness, and a rare kind of trust. Their bond had been a powerful force, steady,  grounding, and profoundly influential in shaping her as an actress and as a woman. For years, the public had seen Michael and Ralph as simply two actors who portrayed a married couple with convincing chemistry.

    They were admired for their realism, their warmth, the effortless way they created a believable home on Walton’s Mountain. But what viewers assumed to be just good acting was in truth the echo of a genuine connection. Michael and Ralph were inseparable in the emotional sense. Confidants who understood each other with a depth that does not come often in a lifetime.

    In interviews, Michael revealed the complexity of this bond with a mixture of tenderness and sorrow. She spoke of Ralph’s generosity,  how he offered stability during moments when her personal life felt unsteady, how he listened without judgment, how he gave without needing acknowledgement. She also spoke of the pain of losing him, not as a colleague, but as someone who had stood beside her during some of the most difficult and formative years of her career.

    Her admiration for him remained undimemed, her gratitude deeper than words could fully hold. There was a bittersweet weight to her reflections, the kind that comes only from a love defined not by romance but by profound emotional partnership. It was a love that strengthened them both. One built on presence, honesty, and a shared understanding of the vulnerabilities they carried.

    Revealing this truth so late in life was not an attempt to rewrite the past, but to honor it. to finally acknowledge the extraordinary depth of a bond that had shaped her  entire journey on the Waltons and beyond. For Michael learned, speaking openly about Ralph Wait was both a release and a tribute, a way of ensuring that the quiet beauty of their connection would not remain hidden in the shadows of memory, but instead find its place in the story of two lives forever intertwined by loyalty, admiration, and an undeniable emotional

    truth. Ralph Wait’s passing in 2014 marked the end of a life defined by devotion to his family, his community, and the work he loved. For Michael learned, it was also a moment of reflection, a chance to examine the enduring lessons embedded in their decadesl long bond. She learned that love is not always defined by romance or public declarations.

    Sometimes love is a quiet presence, a hand offered without hesitation, a steadfast trust that carries through the pressures of life, the demands of performance, and the solitude of private struggle. Through Ralph, she understood that loyalty and emotional reliability could be as transformative  as any traditional love story.

    Even years after his death, Michael continues to honor his memory. In interviews and public reflections, she recounts moments that reveal  the depth of their connection. She remembers long conversations between scenes when Ralph would share insights grounded in his life experience as a Marine, a student of theology, and a man devoted to social justice.

    He would listen patiently, respond thoughtfully, and offer a calm reassurance that made the chaos of filming the Waltons feel manageable. For Michael, these acts, simple, unspoken, yet profound, defined the essence of their partnership. There were quieter, almost invisible moments, too. Michael recalls the small ways Ralph offered support, a note of encouragement tucked into a script, a comforting presence during emotionally draining scenes, or a subtle gesture that reminded her she was not alone.

    These were the moments that shaped her understanding of what it meant to truly care for another human being. Their connection was emotional, intellectual, and deeply human, and it carried weight beyond the applause of viewers or the accolades of the industry. Their bond was reflected in the performances that made the Waltons beloved.

    Audiences felt the authenticity between Olivia and John Walton, never realizing it was the reflection of something real. Decades of  shared experience, mutual respect, and emotional fidelity. It was a relationship built not on passion, but on presence. It was a love story told in gestures, in the constancy  of care, and in the quiet reassurance that comes from knowing someone has your back, no matter the pressures life imposes.

    For Michael, the impact of Ralph’s life and their connection resonates every day. She continues to speak of him with admiration, gratitude, and a reverence  that transcends the ordinary bounds of friendship or co-starom. Their bond illustrates the power of human connection, the ways in which loyalty, empathy, and steadfastness can guide and sustain a life.

    It is a testament to the love that endures beyond physical presence, beyond public perception, and beyond  time itself. As Michael reflects on the decades they shared, she acknowledges that Ralph’s influence remains a guiding force. in her storytelling, her interviews, and the quiet remembrance of their time together.

    She preserves the lessons he embodied, the importance of emotional honesty, the strength found in unwavering support, and the profound impact of being truly seen and understood. Their relationship, though never romantic, was a lifelong partnership built on trust, care, and human intimacy. A love story not of fleeting passion but of enduring presence  and unwavering devotion.

    At 86, Michael Learned has finally lifted the veil on a truth she carried quietly for decades. The story of her connection with Ralph Wait is not one of romance or fleeting passion, but of a love far deeper, far steadier, and profoundly human. It is a love  defined by loyalty, care, and emotional intimacy.

    A bond forged through years of shared work, mutual trust, and unwavering support both on and off the set of The Waltons. Ralph’s presence shaped her life in ways that went beyond acting, teaching her the quiet strength of consistency, the power of presence, and the enduring value of being  fully seen and understood by another person.

    His influence resonates in her reflections, in the  tenderness with which she recounts their years together, and in the wisdom she carries forward. Their story reminds us that love takes  many forms, and some of its most profound expressions are lived in the spaces between words, gestures, and shared trust. For more emotional stories, check out this

  • ‘The Waltons’ Star Mariclare Costello Dead at Age 90

    ‘The Waltons’ Star Mariclare Costello Dead at Age 90

    Mariclare Costello, the actress best known to many viewers for her memorable role on The Waltons, has died at age 90.

    Costello passed away on April 17 in Brooklyn, according to an obituary shared by her family. Over a decades-long career in film, television and theater, she built a respected résumé that ranged from classic family dramas to cult horror favorites.

    Related: Nedra Talley Ross, Last Surviving Member of The Ronettes, Dead at 80

    Mariclare Costello’s Iconic Role on The Waltons

    For fans of The Waltons, Costello was known as schoolteacher Rosemary Hunter, a recurring character who appeared in 15 episodes during the show’s first five seasons from 1972 to 1977. Her character became an important part of Walton’s Mountain and famously married Rev. Matthew Fordwick, played by John Ritter, during the fourth-season premiere.

    Looking back on her time with the series, Costello said in a 2011 interview with Terror Trap, “I had the greatest time with Richard Thomas and John Ritter. We laughed from the beginning of the day until the end of the day. We spent a lot of time together. They were great.”

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    Costello’s Career: From Horror Cult Classics to Ordinary People

    Before and after her time on the beloved CBS drama, Costello worked steadily across Hollywood. She appeared in the cult horror film Let’s Scare Jessica to Death as Emily Bishop, a haunting vampire figure that became one of her most remembered screen performances.

    Her additional credits included Ordinary PeopleThe Adventures of Buckaroo Banzai Across the 8th Dimension, and television appearances on Murder, She WroteChicago HopeJudging Amy, and more.

    Mariclare Costello’s Personal Life and Marriage to Allan Arbus

    Costello was also a longtime member of The Actors Studio and appeared on Broadway four times. She was married to Allan Arbus, known for playing Maj. Sidney Freedman on M*A*S*H, and welcomed one daughter together. They were married up until his death in 2013.

  • How ‘Waltons’ star Richard Thomas overcame typecasting after playing iconic TV role

    How ‘Waltons’ star Richard Thomas overcame typecasting after playing iconic TV role

    Richard Thomas, star of “The Waltons,” knew it wouldn’t be easy to prove to audiences that he could play characters other than John-Boy Walton once his gig was up.

    “I figured, I’d been in the show for five years,” the actor exclusively told Page Six in a new interview. “It was going to take at least five years to sort of do enough work to start to balance the scales.”

    Thomas, who left the hit ’70s TV series after five seasons, was quick to stress that he “adored” the show.

    Richard Thomas, star of “The Waltons,” exclusively spoke to Page Six about his career journey in a new interview. Page Six

    Richard Thomas, star of “The Waltons,” exclusively spoke to Page Six about his career journey in a new interview. Page Six

    The actor (pictured in the middle, standing) starred as John-Boy Walton in the hit 1970s TV series “The Waltons.” ©CBS/Courtesy Everett Collection

    The actor (pictured in the middle, standing) starred as John-Boy Walton in the hit 1970s TV series “The Waltons.” ©CBS/Courtesy Everett Collection

    “I have nothing but only incredible gratitude, affection and fond memories. It was a wonderful piece of television for its time,” he gushed, noting that the series aired when there were only three broadcast networks and when TV audiences were huge.

    “The reach of that was phenomenal,” he continued, “and hard for people to understand today.”

    The success of “The Waltons” notably included lots of attention from female fans.

    Thomas (pictured above in character on the set of “The Waltons” in 1974) left the show after five seasons. CBS via Getty Images

    Thomas (pictured above in character on the set of “The Waltons” in 1974) left the show after five seasons. CBS via Getty Images

    The actor (pictured above in 2009) knew that it would take some time to stop being typecast. WireImage

    The actor (pictured above in 2009) knew that it would take some time to stop being typecast. WireImage

    “It was great!” Thomas enthused, “and it was the ’70s.”

    The CBS series, which ran from 1972 to 1981, centered around a rural family during the Great Depression and World War II.

    Thomas played the beloved role of John-Boy Walton, the oldest of the clan, who dreamed of becoming a writer one day.

    The actor, who was was born and raised in New York City, went on to star in shows like “It” and made guest appearances in a slew of other series. Thomas eventually returned to his first love, the Broadway stage, where he made his debut in “Sunrise at Campobello” when he was only 7 years old.

    He was nominated in 2017 for his turn in “Little Foxes,” and later portrayed Atticus Finch in the 2022-2024 tour of “To Kill a Mockingbird.”

    The actor (pictured here with co-star Will Geer on the set of “The Waltons”) stressed that he loved working on the show. Courtesy Everett Collection

    The actor (pictured here with co-star Will Geer on the set of “The Waltons”) stressed that he loved working on the show. Courtesy Everett Collection

    Thomas, who was nominated for a Tony for his role in “Little Foxes,” has been working steadily on Broadway for decades. WireImage

    Thomas, who was nominated for a Tony for his role in “Little Foxes,” has been working steadily on Broadway for decades. WireImage

    Thomas also had a delicious role as the head of the FBI Counter-Intelligence in “The Americans,” which he raved about to Page Six.

    “I loved it because it was kind of counterintuitive casting for me,” he explained. “[It] gave me really a wonderful opportunity to play a rather enigmatic character who sometimes you thought was OK, sometimes [you] thought he was just a d–k, you know?”

    Thomas can currently be seen in “The Balusters,” a raucous comedy about a Neighborhood Association that descends into chaos when a newcomer suggests installing a stop sign in the enclave’s prettiest block.

    The Post’s Johnny Oleksinski gave the show a raving review, calling it an “engrossing and enjoyable watch.”

    Thomas, seen here in 2017, can currently be seen on Broadway in “The Balusters.” Jenny Anderson

    Thomas, seen here in 2017, can currently be seen on Broadway in “The Balusters.” Jenny Anderson

    The comedy has won rave reviews. Getty Images

    The comedy has won rave reviews. Getty Images

    During another portion of the interview, Thomas joked to Page Six about his upcoming 75th birthday on June 13. While he still appears decades younger, he swears he hasn’t had any work done.

    “Come on!” he exclaimed, noting that foreheads are “one of the most expressive parts” of one’s face.

    “I don’t want to freeze any of it,” he continued, “I mean, it’s falling apart, but what the hell?”

    Thomas laughed when Page Six suggested he could launch a skin-care line, replying, “You’re very kind. You made my day!”

  • Michael Learned Never Regretted Leaving ‘The Waltons’ and Still Questions If She Should Have ‘Accepted’ the Role

    Michael Learned Never Regretted Leaving ‘The Waltons’ and Still Questions If She Should Have ‘Accepted’ the Role

    • Michael Learned explained in a new interview that she’s never regretted leaving The Waltons after season 8, but still wonders if she should have signed on for the series at all
    • The show ran from 1972 to 1981 and earned Learned three Emmys
    • Learned also remembered her close bonds with the cast, including Richard Thomas and Ralph Waite

    Michael Learned won three Emmys for her role as Olivia Walton on The Waltons, but looking back, her feelings about the show are complicated.

    Learned, 86, opened up about her time on the show on the Monday, Sept. 8 episode of the Still Here Hollywood Podcast with Steve Kmetko. She remembered that when her agent called her to let her know she’d gotten the part, he said, “You are now the mother of America.”

    Learned said she had just played Cleopatra on stage and starred in a production of Noël Coward’s Private Lives directed by Francis Ford Coppola. Learned said her role as Olivia was written as “a woman in her 40s,” and she was just 32, but she said, “I auditioned because we do what we have to do as actors.” When she was cast, she said, “I was beside myself because I really needed the job.”

    Because she’d been doing theater so long, Learned didn’t know “where to go or what to do” on set, but the younger cast was “very professional” and “very gracious.” Ralph Waite, who played her husband John Walton Sr., and Richard Thomas, who played John-Boy, she recalled, “went out of their way to kind of make me feel welcome, and that was it. It was like a whole new world for me.”

    Michael Learned (left) and Ralph Waite in ‘The Waltons’.CBS via Getty

    The series ran from 1972 to 1981, for nine seasons, but Learned left the series after eight seasons. She told Kmetko that she remained “very close” with her castmates after leaving, calling them her “second family.” She also remembered that she and Waite, who died in 2014, “got sober” at the same time when he asked her to go to Alcoholics Anonymous with him.

    “We both got sober and it stuck,” she remembered, noting they did “feel a bit of responsibility” to be a good “mom and dad of America.”

    Kmetko said, given her close bonds, it “must have been a tough call” to decide to leave the series. He asked if she ever regretted it.

    “No, I didn’t,” she said. “On the one hand, I wept because we were such a family, even the crew, we were all really close and like a family. But on the other hand, I got tired of [it].”

    “They didn’t know what to do with me,” she said. She remembered that creator Earl Hamner Jr. would tell her that he wanted her in more shots. “So they’d have me ironing and going, ‘And then what happened, kids? And then where did you go? John-Boy, more coffee?’ And things, just to have me in the scene. But as an actor, it was just boring.”

    Still, she said she’s “eternally grateful” for the show. “It put my kids through private school,” she said. “. . . But at the time I complained a lot, you know, ‘I want to be home with my kids,’ and here I was with these lovely kids, but they weren’t mine.”

    The cast of ‘The Waltons’.CBS Photo Archive/Getty

    Later in the episode, Kmetko asked if there were roles she wished she had said yes to. “I turned something down that Francis Coppola offered me,” she remembered, but otherwise, “there isn’t really.”

    “I sometimes question whether I should have accepted The Waltons, but it was life-altering,” she added. “I was supposed to go on tour with Private Lives that Francis directed. Working with him was a dream.” She said she’s written him letters over the years, but “never mailed them,” because she didn’t want the director thinking she was asking for a job.

    Learned isn’t precious about The Waltons or her career. When asked what she wants her legacy to be, she said, “I don’t care. I don’t need to have a legacy. I just want my kids to speak kindly of me, and they do.”

    She added, “And I’m not being smarmy about it, but who’s gonna remember The Waltons 50 years from now? Nobody.”

    As for the future, the octogenarian actress said, “I just want to work whenever I can.” She added that she’s still grieving the loss of her husband John Doherty, who she wed in 1991 and died in February.

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    “We were together for 33 years,” she said. “I’m still quite a bit raw, actually, but having had those wonderful years with him, he was such a wonderful person, and so he made me feel cherished. And I’d never felt that before.”

    “My poor mother had six girls. We were a handful for her. So I always felt like I was a pain in the ass. He made me feel special,” she said. “So I’m grateful to have had it, but I miss him terribly.”

  • Where Is the Cast of ‘The Waltons’ Now? Catch Up With the 9 Stars

    Where Is the Cast of ‘The Waltons’ Now? Catch Up With the 9 Stars

    More than five decades after it first aired, The Waltons remains one of television’s most enduring family dramas. Set in rural Virginia during the Great Depression and World War II, the hit TV series followed the close-knit Walton family as they navigated hardship, faith and growing pains on Walton’s Mountain. Each episode’s end sequence featured the voices of the family’s members saying goodnight to one another before going to sleep for the night. According to the BBC which broadcast the series in the United Kingdom, “Goodnight, John-Boy” was one of the most common catchphrases of the 1970s.

    Airing from 1972 to 1981, the show struck a rare balance between gentle storytelling and emotional realism, earning 13 Emmy Awards and cementing its place in pop culture history. Its themes of resilience, community and kindness still resonate today, and many of its young stars grew up before viewers’ eyes. Here is what happened to the cast who brought the Waltons to life.

    Ralph Waite as John Walton Sr.© Disney General Entertainment Con

    Ralph Waite as John Walton Sr.

    Ralph played the moral centre of the series as John Walton Sr., the principled patriarch trying to hold his family together during tough economic times. After The Waltons, Ralph enjoyed a long career in television and film, appearing in RootsThe Bodyguard and NCIS. He was also politically active, running for Congress in California. Ralph married three times and had three daughters. He died in 2014 at the age of 85, remembered fondly for his warmth both on and off screen.

    Michael Learned as Olivia Walton© Getty Images

    Michael Learned as Olivia Walton

    Portraying the compassionate matriarch Olivia Walton, actress Michael Learned earned three Emmy Awards for her performance on the show. After leaving the series, she continued acting in television, stage and film, with roles on St. ElsewhereScrubs and General Hospital. Now in her 90s, Michael remains a respected figure in American television and recently appeared on the Still Here Hollywood podcast to talk about her experiences on the show. She has spoken openly about resilience, recovery and the realities of long-term fame.

    Richard Thomas as John-Boy Walton© Getty Images

    Richard Thomas as John-Boy Walton

    Actor Richard Thomas became a household name as aspiring writer John-Boy Walton, the show’s narrator and emotional anchor. He left the series in 1977 to focus on theatre and avoid being typecast, a decision that paid off. Richard went on to build a distinguished career on stage and screen, appearing in ItThe Americans and Ozark, and winning a Tony Award in 2022 for To Kill a Mockingbird. He has been married twice and has seven children, and remains one of the show’s most successful alumni.

    David W. Harper as Jim-Bob Walton© CBS via Getty Images

    David W. Harper as Jim-Bob Walton

    David W. Harper played Jim-Bob Walton, a mechanically minded boy whose curiosity, inventions and occasional mischief added levity to the series. Unlike some of his co-stars, David largely stepped away from acting after The Waltons ended, appearing in only a handful of projects. He later pursued a career in business and marketing, working behind the scenes rather than in front of the camera. David has kept a relatively low public profile but has remained warmly connected to the show’s legacy through fan events and reunions, where Jim-Bob remains a fan favourite for his earnestness and inventive spirit.

    Jon Walmsley as Jason Walton© CBS via Getty Images

    Jon Walmsley as Jason Walton

    Jon Walmsley played musically gifted Jason Walton, whose love of music often provided a softer counterpoint to John-Boy’s literary ambitions. After the show ended, Jon stepped away from acting and relocated to the UK, where he built a career in music production and sound engineering. He worked with a range of artists and served as a composer and arranger. He was a member of Richard Marx’s touring band in the late 1980s, and appeared in at least two of Marx’s music videos: “Should’ve Known Better” and “Too Late to Say Goodbye.” Jon has largely stayed out of the spotlight in recent decades, preferring a quieter life focused on music rather than acting.

    Mary Beth McDonough as Erin Walton© Getty Images

    Mary Beth McDonough as Erin Walton

    Mary Beth McDonough portrayed Erin Walton, the spirited and fashion-loving sister who dreamed of a life beyond Walton’s Mountain. Following the show, Mary Beth appeared in various television roles before stepping back from Hollywood. She later wrote a candid memoir about her experience on The Waltons, Lessons From The Mountain: What I Learned from Erin Walton.

    Judy Norton as Mary Ellen Walton© Getty Images

    Judy Norton as Mary Ellen Walton

    Judy Norton played Mary Ellen Walton, the ambitious eldest daughter who broke with tradition to become a nurse. After The Waltons, Judy continued acting while also exploring writing and directing. She also is a singer and an avid athlete, participating in competitive horse jumping and skydiving, in addition to skiing and tennis. She gained widespread attention in 1985 after posing for Playboy, later describing it as an effort to redefine herself beyond the wholesome image of the show. Judy has been married four times and has one son.

    Eric Scott as Ben Walton© Getty Images

    Eric Scott as Ben Walton

    Eric portrayed Ben Walton, the family’s hardworking and occasionally hot-tempered son. Like several of his co-stars, Eric transitioned away from acting after the series ended. He went on to build a successful career in business, and owns Chase Messengers, a parcel delivery service. Eric has remained closely connected to the show’s legacy and frequently takes part in Waltons reunions, embracing the role’s enduring popularity with fans.

    Kami Cotler as Elizabeth Walton© WireImage

    Kami Cotler as Elizabeth Walton

    Flame-haired Kami played the youngest of the Walton children, Elizabeth, growing up on screen over the show’s nine seasons. After the series concluded, Kami largely stepped away from acting to focus on education. She became a teacher and education administrator, working with underserved communities in California. While she has occasionally returned for reunions and TV movies, Kami has consistently prioritised a life outside Hollywood.

    Ellen Corby as Esther Walton© Disney General Entertainment Con

    Ellen Corby as Esther Walton

    Actress Ellen Corby was unforgettable as matriarch Grandma Esther Walton, delivering sharp humour and emotional depth to the show. A veteran character actress long before the show, Ellen suffered a stroke in 1976, which was written into the series and mirrored her real-life recovery. She continued appearing intermittently until retiring in the late 1990s. Fun fact: In 1969 Ellen was trained by Maharishi Mahesh Yogi in Rishikesh, India, to become a teacher of Transcendental Meditation. She died in 1999 at the age of 87, leaving behind a legacy as one of television’s most beloved grandmothers.

    Will Geer as Zebulon "Grandpa" Walton© Getty Images

    Will Geer as Zebulon “Grandpa” Walton

    Will played Grandpa Walton, the family’s gruff yet tender-hearted elder. A respected actor and political activist, Will was blacklisted during the McCarthy era, making The Waltons a major late-career triumph. He died in 1978 during the show’s run, with his death written into the storyline. Will was 76 and is remembered not only for his performance, but for his unwavering principles and commitment to social justice.

  • Michael Learned on ‘The Waltons’, four Emmy wins, and why her best work may still be ahead

    Michael Learned on ‘The Waltons’, four Emmy wins, and why her best work may still be ahead

    Michael Learned laughed on the other end of the phone. The four-time Emmy winner, best known to generations of Americans as Olivia Walton on The Waltons, was telling me about how her start as an actress wasn’t quite what most people expect. The school she attended as a girl was an arts school with creative classes in the morning and academic classes in the afternoon. She had set her heart on ballet. “I wasn’t very good,” she explained. One day a teacher pulled her aside. “She said, ‘You’re not a very good dancer. You might think about becoming an actress.’ So I said, ‘Well, okay.’”

    Learned switched to the drama classes, won the school drama cup, and never looked back. What followed, across more than six decades of theater, television, and film, has been a career of remarkable range. It’s one that continues to surprise and please audiences. She recently appeared in one of Netflix’s most watched series ever, DAHMER – Monster: The Jeffrey Dahmer Story, and has a new film on the way. The past is rich, but so is the present and future.

    The long road to Walton Mountain

    Before Hollywood, Learned married at 17 and had three children by the time she was 24. She worked in Canadian television. She said, “CBC would tape classics, Shakespeare and Molière, and I would do that.” Then she moved to New York with her husband, actor Peter Donat. They eventually landed in San Francisco, where they became leading players at the American Conservatory Theater.

    “We were sort of the leading man and leading lady there,” she recalls. “It was a wonderful rep company.”

    It was from San Francisco that Learned made the impulsive drive south that changed everything. “I drove down to Hollywood one day on a kind of a whim, just to maybe learn the freeways a little bit, so I didn’t arrive at auditions with sweat pouring into my shoes.” There was a part being cast that was described as a forty-year-old woman with long, red hair. Learned was thirty-two, with short, blonde hair. She showed up anyway. “Miracle of miracles, I got the part of Olivia Walton, which really kind of started my serious career.”

    What she didn’t know at the time was the battle being waged on her behalf behind closed doors. A casting executive at CBS named Ethel Winant, who had seen Learned’s work at ACT in San Francisco, was fighting for her against the network’s resistance. “Fred Silverman, who then ran programming for CBS, didn’t think I was right for the part, and he was correct. I wasn’t what they were looking for. But she went to bat for me, and I’ll be forever grateful to her.” She learned the full story only after Winant had passed away, through a director named Glenn Jordan who told her: “She beat Fred Silverman to the ground over you.”

    “God bless her,” Learned said “She was my angel. I was going through a divorce with my husband. I had no money, three kids, dogs and cats, and all the things you have when you have kids. It was a lifesaver for me.”

    The call letting Michael Learned know she would be playing Olivia Walton came when she was staying in a twelve-dollar-a-night motel. “I was actually in the shower. I wrapped one of these towels around myself. Well, they weren’t big enough to wrap all the way around you, but you could actually see through the towels. It was that kind of a motel.” Her agent delivered the news. “He said, ‘You are now the mother of America.’ And I just danced all around the room, half naked, with the towel draped around the end.” She laughs at the memory. “I knew I’d been blessed. It was just so exciting for me, and it really turned my life into a different direction.”

    Michael Learned played Olivia Walton in every season of "The Waltons".

    Michael Learned played Olivia Walton in every season of “The Waltons”.

    A dedication to making Olivia human

    Running for nine seasons on CBS from September 14, 1972, to June 4, 1981, The Waltons earned Learned three of her four Emmys and a permanent place in American television history. Viewers still tell her things that move her deeply. “A lot of people say, ‘Your show gave me the childhood I never had.’ A dentist just texted me saying the show had been a role model for him in raising his family.”

    But playing goodness, she found, carried its own artistic challenges. “Back then, on television, if you were a good person, you weren’t terribly interesting. I had to struggle sometimes to make Olivia a little more human. She wasn’t always right. A good mother will scold the wrong child sometimes. You’re busy and upset, and you think one of your kids did something that really the other kid did. Little things. Just not to make her the perfect, sweet, all-forgiving mom. The struggle for me was to humanize that character.”

    The role of Olivia had originally been played by Patricia Neal in the pilot, and it’s a performance Learned admired deeply. “She was brilliant, and she and I became really good friends. But she played it with great intensity, very sternly in some ways. I think the network thought, on a weekly basis, it would come across as too harsh for TV.”

    The authenticity Learned brought to the domestic scenes, such as the bread-baking and the kitchen work, came from genuine experience. “I was a housewife. My primary function when I was young was to be a supportive wife to Peter, who was a wonderful actor. I would take parts they would throw my way to get Peter, really. I came in on his coattails. I’d cue him and then go learn my lines in the bathroom after I did the dinner dishes. I baked bread and made pies. All of that was very helpful in terms of playing Olivia. I knew what I was doing when I was kneading bread, and I think audiences recognize authenticity when they see it.”

    Neither she nor Ralph Waite, who played her husband John, had any expectation the show would last. “Ralph and I thought, ‘Well, we’ll just have something to put on our résumés. This is never gonna fly.’ We were wrong, but we were happily wrong.”

    Of all the episodes across nine seasons, one stands out. “The one I enjoyed the most, I think it was called ‘The Anniversary.’ It was basically Ralph and me; it told our story. It was kind of a love story, and it was just a sweet script, and I loved that one because I loved Ralph. We had a wonderful relationship and chemistry with each other.”

    The children of Walton Mountain

    One of the less discussed gifts of The Waltons, Learned suggests, was the experience of getting close to the actors who played her onset family, including the large cast of children. However, she felt guilty because she sometimes spent more time with them than she did her own children because of the long hours on set that filming required.

    “I was torn at the time. I had my own kids, and I was spending more time on a set with kids that weren’t really mine. Sometimes you’re scheduled for a certain time and then, because of technical difficulties or whatever, they have to change the schedule. I’d be telling my kids, ‘I’m gonna take you to the dentist this afternoon, because I’m off in the afternoon,’ and then I’d have to call and say, ‘No, no, we have to make other arrangements.’ That was always a little difficult. I don’t think the other kids on the show recognized why I was sometimes unhappy. I was torn.”

    The Waltons children gather around Olivia Walton to make ice cream on "The Waltons".

    The Waltons children gather around Olivia Walton to make ice cream on “The Waltons”.

    And yet the young cast, she said, made it easy to love them. Part of what made it bearable was understanding the particular rhythm of a filming day. There were the long, suspended hours of waiting while scenes are lit, followed by sudden electric bursts of work. “It’s a combination of boring and intense,” she shared. “Bored while they’re lighting, and you’re bored to tears, trying to figure out ways to pass the time while you wait, and then boom — all the adrenaline rushes while you’re doing the scene, and then it’s time to wait again.” That the children navigated this with such grace still moves her. “The kids were so good-natured. They never seemed to be upset or tired, or in any way troubled. It was fun.” She recalls one particular image with obvious affection: “Kami, especially — we were waiting for them to light a scene at the kitchen, the famous kitchen scene, and she just took a salt shaker and started making little designs with the salt on the table. They found ways to just amuse themselves.”

    Their professionalism, she is careful to note, never came at the cost of their childhood. The adult cast worked fifteen-hour days; the children had a ten-hour limit, with school in the afternoons. “They were never spoiled brats at all. They were beautiful, hardworking, professional, and great kids.” She paused. “And the mothers were wonderful, too. Most of them, their mothers were on the set as well. They were knitting, talking, and reading, but they were there, looking out for their kids. Ralph and I were very protective of the children as well.”

    Those kids, now long grown, remain close to her heart. The fiftieth reunion, she said, was simply a joy. “We always just get along so well, and we love each other. I couldn’t have done it if we didn’t. I’m not one of those people who can just push it aside. If I’m upset about something, I have to at least try to fix it before I go in front of the camera. I’m not a good enough actor to mask my real emotions.”

    She recalled a disagreement with Ralph Waite on set that describes as “a spat, not down and out, but we were really kind of heated about it”, and how she resolved it. “I had to knock on his door before going on the set. I was crying. I said, ‘We have to make up, because I can’t do this.’ He was so sweet. He just opened his arms and gave me a hug, and we were fine.”

    The theater that inspired her

    Long before Olivia Walton, Learned had been forged in the crucible of serious repertory theater. It is perhaps there, she suggested, that her deepest artistic satisfaction was found.

    Her years at the American Conservatory Theater in San Francisco she described simply as “the most creative and exciting years, I think, of my career.” The company worked out of two theaters, and performers sometimes ran between them to make curtains. “You would do an afternoon matinee in one theater, and then run down the hill, have a quick bite to eat, and do another show at night. It was challenging, but exciting at the same time. And when you’re young, that keeps you alive.”

    Among her most treasured stage memories is a production of Chekhov. “I love doing Chekhov. I really understand his characters. I’m from a kind of bohemian, lost family, and I understand those people.” She has played both Irina and Masha in Three Sisters at different points in her career.

    Then there was Private Lives, directed by no less than Francis Ford Coppola who was then quietly disappearing on weekends to edit a film neither she nor her co-star could account for. “We would think, ‘Why is he going down to LA? What’s he doing? We need to rehearse.’ So Paul and I would rehearse and change everything, because we thought Coppola didn’t know what he was doing. We would restage it, and Francis would come back and say, ‘What are you doing? Go back to the way I told you to do it.’ And of course he was absolutely right. Every single time, he wanted us to play the reality. We were doing style, and he was saying, ‘Be real.’ And when we were being real, it was funnier than the way we were trying to do it.”

    She still laughed about it. “He was driving a beaten-up old VW bug, kind of rusty. And if nothing was happening in rehearsal, Francis would say, ‘Let’s go eat sushi.’ He understood the process of an actor.” Coppola later invited her to take a small role in Apocalypse Now, but a prior commitment got in the way. She has fond memories of working with him in theater.  “Working with him was a dream.”

    Dahmer and the unsuspecting grandmother

    Decades into a career, Michael Learned is occasionally still asked to audition. When Ryan Murphy’s team came calling about Monster: The Jeffrey Dahmer Story, the Emmy-winning Netflix series that became one of the most watched shows in the platform’s history, Learned still had to prove herself on tape. It’s a fact she receives with wry humor.

    “The actor’s ego — what can I say? You think after all these years, with four Emmys, I still am auditioning to prove that I can act?” The audition, filmed at her home by her manager Jerry, took an unexpected turn. “At one point, Jerry said, ‘We have to do a full body shot of you.’ And I said, ‘Well, if I’d known that, I would have worn a bra — lifted my boobs up, you know?’ I thought Jerry was going to cut it out, but apparently he left it in. I really think I got the part because they were probably all cracking up laughing. You never know. Sometimes it’s just sheer luck.”

    Playing Dahmer’s devoted grandmother, a woman utterly unaware of the horror unfolding around her, required its own particular discipline. “Mostly I had to be oblivious to the fact that he was dragging a garbage bag full of human parts past me while I was doing my crossword puzzle.” She credited Evan Peters’s generosity as essential to making that dynamic believable. “He managed to play the role with such warmth whenever he was with me. It was very easy to love him as my grandson. It was easy to love him and just be his grandma.”

    The experience left her with a different kind of reflection. “I remember coming home from one of the initial days, and my own grandson opened the door and said, ‘Hi, Granny Mikey.’ And I’m thinking, ‘What if I found out he was a serial killer? Can you imagine the family?’”

    Still in the room and thriving

    Her most recent project, Our Crossroads, a 2026 film in which she plays Barbara Fraley, a real woman looking back on her life, gave Learned something she particularly valued: a role that asked her to be light. She spoke with Fraley directly during preparation.

    “She inspired me because she was so full of light. I tend to get morose at times, a little depressed, if you will — but she, with all the physical challenges that she had, you never would have guessed she was facing anything tough. She had a wonderful sense of humor and was very helpful to me. It was a really happy shoot for me.” Working opposite Pat Boone, a figure from her own youth, was pleasingly uncomplicated: “Pat Boone was a huge star when we were young. He was a big singing star. And he was just the same person that he was, you know, when we were both younger. Very nice, very professional.”

    A New York state of mind

    One year after The Waltons ended, Learned starred in Nurse, the New York-set medical drama for which Learned won her fourth Emmy. She speaks about the show with a mixture of pride and regret. The show was shot on location in a real hospital, which presented its own particular challenges. “On a set, they can move walls, and the lighting is pretty much there, but for them to light a scene where nothing moves, there were really long days. Nineteen-hour days.”

    She loved New York itself unreservedly and said, “I’m from back east, and shooting in New York was a dream.” However, the relentless schedule eventually took its toll. “I was in every scene, pretty much. That’s why I feel for Mariska Hargitay, even though she’s not a complainer. I am.”

    “I think I complained maybe too much, and that’s when they canceled the show. Because it was doing well in the ratings.” She paused. “That was a really disappointing thing for me when the show was canceled. I was working with New York writers, living in New York, which I love. It was really disappointing.” Whether or not her theory about the cancellation is accurate, the affection for the work and for the city is clear.

    What the angels gave her

    “I’ve never felt like I was enough. I’m the oldest of six girls, so I guess somewhere deep down, when I was a kid — I’m playing your psychiatrist here — but I think when you’re a child and you’ve got five younger sisters, you kind of feel like, ‘Well, I guess I wasn’t enough.’ I’ve always had that little critic sitting on one of my shoulders saying, ‘You can do better, you can do better. Is it good enough? Is it good enough?’”

  • RICHARD THOMAS TURNED 60 TODAY

    RICHARD THOMAS TURNED 60 TODAY

    Richard Thomas is an American actor best known for playing John-Boy Walton in the hit 1970s TV series The Waltons, a role that earned him an Emmy Award in 1973. Born on June 13, 1951, in New York City, he has maintained a highly successful acting career for nearly seven decades across television, film, and theater.
    Early Life and Family
    • Artistic Roots: He was born to Richard S. Thomas and Barbara Fallis, both professional ballet dancers and founders of the New York School of Ballet.
    • Child Prodigy: He entered the acting world at a very young age, making his Broadway debut at just seven years old in the 1958 play Sunrise at Campobello.
    • Education: He attended Columbia University, where he studied Chinese and English before leaving to pursue acting full-time.
    Career Highlights
    • The Waltons (1972–1977): He achieved international fame as the eldest son and narrator, John-Boy. His performance made “Good night, John-Boy” one of the most famous catchphrases in television history.
    • Iconic Horror: He starred as the adult Bill Denbrough in the wildly popular 1990 television miniseries adaptation of Stephen King’s It.
    • Acclaimed Drama: In recent years, he gained critical praise as FBI Special Agent Frank Gaad in The Americans and as Nathan Davis in Netflix’s Ozark.
    • Stage Mastery: A prolific theater actor, he recently spent three years touring the United States as Atticus Finch in To Kill a Mockingbird. He also earned a 2026 Tony Award nomination for his role in the Broadway play The Balusters.
    Personal Life
    • Marriages: He was married to Alma Gonzales from 1975 to 1993, and married Georgiana Bischoff in 1994.
    • Children: He is a father to seven children, which includes a son and identical triplet daughters from his first marriage, and a son with his current wife.
    • Advocacy: He suffers from cochlear otosclerosis, a condition causing hearing loss, and serves as an advocate and chairperson for the Better Hearing Institute.
  • Judy Norton and Patrick Labyorteaux Discuss How Frequently People ‘Mix Up’ ‘The Waltons’ and ‘Little House on the Prairie’

    Judy Norton and Patrick Labyorteaux Discuss How Frequently People ‘Mix Up’ ‘The Waltons’ and ‘Little House on the Prairie’

    • Judy Norton looked back at her time as part of one of America’s most beloved families with Patrick Labyorteaux on his podcast
    • The Waltons actress played Mary Ellen Walton throughout the entire series and the six subsequent TV movies
    • The actress laughs with the Little House on the Prairie alum about how frequently the two shows got confused by fans

    Judy Norton and Patrick Labyorteaux are amuse by how people can’t keep their sitcom families straight.

    Norton, who is best known for her role as Mary Ellen Walton on The Waltons, appeared on The Patrick LabyorSheaux with Patrick Labyorteaux, where she chatted with the Little House on the Prairie alum about the way fans would confuse the two series.

    “For the record, we were there first. You guys were copycats,” the host, 60, teased. “You had Miss Beadle on before Miss Beadle was on Little House. You guys were there first, but I think you might have experienced this as well. People think it’s at the same time.”

    The actor noted the confusion was “weird, because you guys were depression. We were 1870s. It’s like a lot of differences… You guys had cars!”

    Norton, 67, shared that she, too, found fans confused the shows “all the time.”

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    The cast of “The Waltons”.CBS Photo Archive/Getty

    “People always confuse the two. They’ll come up and — this one always touches my heart, when they say, ‘So sorry the father died,’ ” she shared.

    “This was before Ralph Waite, our TV father, died. Of course, poor Michael Landon had passed away way too young. And so I’d have to go, ‘No, sorry. Fortunately, our father is still living.’ But constantly, [people would say] ‘Oh, you’re on Little House?’ It’s like, ‘No, The Waltons.’ “

    Labyorteaux agreed, noting, “When I talk with [the] Little House cast, they say the same thing, that people will say The Waltons.”

    “It’s absolutely that whole example where people get confused… I get it, both big family shows at that time, lots of kitchens, lots of eating around a big table. So it’s sort of like, ‘I can see it.’ “

    The cast of “Little House on the Prairie”.NBCU Photo Bank/NBCUniversal via Getty Images via Gett

    The Waltons aired for nine seasons from 1972 to 1981 and followed a family of nine struggling to make ends meet during the Great Depression and World War II.

    Little House on the Prairie, adapted from Laura Ingalls Wilder’s beloved books, followed the lives of people in the American Midwest in the late 1800s. It aired from 1974 to 1983.